姐,51。。。
轻松的小说阅读环境
Site Manager
汤姆·索亚历险记 - Chapter 25
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  THERE comes a time in every rightlyconstructed boy's life when he has a raging desire to go somewhere and dig for hidden treasure. This desire suddenly came upon Tom one day. He sallied out to find Joe Harper, but failed of success. Next he sought Ben Rogers; he had gone fishing. presently he stumbled upon Huck Finn the Red-Handed. Huck would answer. Tom took him to a private place and opened the matter to him confidentially. Huck was willing. Huck was always willing to take a hand in any enterprise that offered entertainment and required no capital, for he had a troublesome superabundance of that sort of time which is not money. "Where'll we dig?" said Huck."Oh, most anywhere.""Why, is it hid all around?""No, indeed it ain't. It's hid in mighty particular places, Huck -- sometimes on islands, sometimes in rotten chests under the end of a limb of an old dead tree, just where the shadow falls at midnight; but mostly under the floor in ha'nted houses.""Who hides it?""Why, robbers, of course -- who'd you reckon? Sunday-school sup'rintendents?""I don't know. If 'twas mine I wouldn't hide it; I'd spend it and have a good time.""So would I. But robbers don't do that way. They always hide it and leave it there.""Don't they come after it any more?""No, they think they will, but they generally forget the marks, or else they die. Anyway, it lays there a long time and gets rusty; and by and by somebody finds an old yellow paper that tells how to find the marks -- a paper that's got to be ciphered over about a week because it's mostly signs and hy'roglyphics.""HyroQwhich?""Hy'roglyphics -- pictures and things, you know, that don't seem to mean anything.""Have you got one of them papers, Tom?""No.""Well then, how you going to find the marks?""I don't want any marks. They always bury it under a ha'nted house or on an island, or under a dead tree that's got one limb sticking out. Well, we've tried Jackson's Island a little, and we can try it again some time; and there's the old ha'nted house up the Still-House branch, and there's lots of deadlimb trees -- dead loads of 'em.""Is it under all of them?""How you talk! No!""Then how you going to know which one to go for?""Go for all of 'em!""Why, Tom, it'll take all summer.""Well, what of that? Suppose you find a brass pot with a hundred dollars in it, all rusty and gray, or rotten chest full of di'monds. How's that?"Huck's eyes glowed."That's bully. plenty bully enough for me. Just you gimme the hundred dollars and I don't want no di'monds.""All right. But I bet you I ain't going to throw off on di'monds. Some of 'em's worth twenty dollars apiece -- there ain't any, hardly, but's worth six bits or a dollar.""No! Is that so?""Cert'nly -- anybody'll tell you so. Hain't you ever seen one, Huck?""Not as I remember.""Oh, kings have slathers of them.""Well, I don' know no kings, Tom.""I reckon you don't. But if you was to go to Europe you'd see a raft of 'em hopping around.""Do they hop?""Hop? -- your granny! No!""Well, what did you say they did, for?""Shucks, I only meant you'd see 'em -- not hopping, of course -- what do they want to hop for? -- but I mean you'd just see 'em -- scattered around, you know, in a kind of a general way. Like that old humpbacked Richard.""Richard? What's his other name?""He didn't have any other name. Kings don't have any but a given name.""No?""But they don't.""Well, if they like it, Tom, all right; but I don't want to be a king and have only just a given name, like a nigger. But say –where you going to dig first?""Well, I don't know. S'pose we tackle that old dead-limb tree on the hill t'other side of Still-House branch?""I'm agreed."So they got a crippled pick and a shovel, and set out on their three-mile tramp. They arrived hot and panting, and threw themselves down in the shade of a neighboring elm to rest and have a smoke."I like this," said Tom."So do I.""Say, Huck, if we find a treasure here, what you going to do with your share?""Well, I'll have pie and a glass of soda every day, and I'll go to every circus that comes along. I bet I'll have a gay time.""Well, ain't you going to save any of it?""Save it? What for?""Why, so as to have something to live on, by and by.""Oh, that ain't any use. pap would come back to thish-yer town some day and get his claws on it if I didn't hurry up, and I tell you he'd clean it out pretty quick. What you going to do with yourn, Tom?""I'm going to buy a new drum, and a sure-'nough sword, and a red necktie and a bull pup, and get married.""Married!""That's it.""Tom, you -- why, you ain't in your right mind.""Wait -- you'll see.""Well, that's the foolishest thing you could do. Look at pap and my mother. Fight! Why, they used to fight all the time. I remember, mighty well.""That ain't anything. The girl I'm going to marry won't fight.""Tom, I reckon they're all alike. They'll all comb a body. Now you better think 'bout this awhile. I tell you you better. What's the name of the gal?""It ain't a gal at all -- it's a girl.""It's all the same, I reckon; some says gal, some says girl -- both's right, like enough. Anyway, what's her name, Tom?""I'll tell you some time -- not now.""All right -- that'll do. Only if you get married I'll be more lonesomer than ever.""No you won't. You'll come and live with me. Now stir out of this and we'll go to digging."They worked and sweated for half an hour. No result. They toiled another half-hour. Still no result. Huck said:"Do they always bury it as deep as this?""Sometimes -- not always. Not generally. I reckon we haven't got the right place."So they chose a new spot and began again. The labor dragged a little, but still they made progress. They pegged away in silence for some time. Finally Huck leaned on his shovel, swabbed the beaded drops from his brow with his sleeve, and said:"Where you going to dig next, after we get this one?""I reckon maybe we'll tackle the old tree that's over yonder on Cardiff Hill back of the widow's.""I reckon that'll be a good one. But won't the widow take it away from us, Tom? It's on her land.""She take it away! Maybe she'd like to try it once. Whoever finds one of these hid treasures, it belongs to him. It don't make any difference whose land it's on."That was satisfactory. The work went on. By and by Huck said:"Blame it, we must be in the wrong place again. What do you think?""It is mighty curious, Huck. I don't understand it. Sometimes witches interfere. I reckon maybe that's what's the trouble now.""Shucks! Witches ain't got no power in the daytime.""Well, that's so. I didn't think of that. Oh, I know what the matter is! What a blamed lot of fools we are! You got to find out where the shadow of the limb falls at midnight, and that's where you dig!""Then consound it, we've fooled away all this work for nothing. Now hang it all, we got to come back in the night. It's an awful long way. Can you get out?""I bet I will. We've got to do it to-night, too, because if somebody sees these holes they'll know in a minute what's here and they'll go for it.""Well, I'll come around and maow to-night.""All right. Let's hide the tools in the bushes."The boys were there that night, about the appointed time. They sat in the shadow waiting. It was a lonely place, and an hour made solemn by old traditions. Spirits whispered in the rustling leaves, ghosts lurked in the murky nooks, the deep baying of a hound floated up out of the distance, an owl answered with his sepulchral note. The boys were subdued by these solemnities, and talked little. By and by they judged that twelve had come; they marked where the shadow fell, and began to dig. Their hopes commenced to rise. Their interest grew stronger, and their industry kept pace with it. The hole deepened and still deepened, but every time their hearts jumped to hear the pick strike upon something, they only suffered a new disappointment. It was only a stone or a chunk. At last Tom said:"It ain't any use, Huck, we're wrong again.""Well, but we can't be wrong. We spotted the shadder to a dot.""I know it, but then there's another thing.""What's that?"."Why, we only guessed at the time. Like enough it was too late or too early."Huck dropped his shovel."That's it," said he. "That's the very trouble. We got to give this one up. We can't ever tell the right time, and besides this kind of thing's too awful, here this time of night with witches and ghosts a-fluttering around so. I feel as if something's behind me all the time; and I'm afeard to turn around, becuz maybe there's others in front a-waiting for a chance. I been creeping all over, ever since I got here.""Well, I've been pretty much so, too, Huck. They most always put in a dead man when they bury a treasure under a tree, to look out for it.""Lordy!""Yes, they do. I've always heard that.""Tom, I don't like to fool around much where there's dead people. A body's bound to get into trouble with 'em, sure.""I don't like to stir 'em up, either. S'pose this one here was to stick his skull out and say something!""Don't Tom! It's awful.""Well, it just is. Huck, I don't feel comfortable a bit.""Say, Tom, let's give this place up, and try somewheres else.""All right, I reckon we better.""What'll it be?"Tom considered awhile; and then said:"The ha'nted house. That's it!""Blame it, I don't like ha'nted houses, Tom. Why, they're a dern sight worse'n dead people. Dead people might talk, maybe, but they don't come sliding around in a shroud, when you ain't noticing, and peep over your shoulder all of a sudden and grit their teeth, the way a ghost does. I couldn't stand such a thing as that, Tom -- nobody could.""Yes, but, Huck, ghosts don't travel around only at night. They won't hender us from digging there in the daytime.""Well, that's so. But you know mighty well people don't go about that ha'nted house in the day nor the night.""Well, that's mostly because they don't like to go where a man's been murdered, anyway -- but nothing's ever been seen around that house except in the night -- just some blue lights slipping by the windows -- no regular ghosts.""Well, where you see one of them blue lights flickering around, Tom, you can bet there's a ghost mighty close behind it. It stands to reason. Becuz you know that they don't anybody but ghosts use 'em.""Yes, that's so. But anyway they don't come around in the daytime, so what's the use of our being afeard?""Well, all right. We'll tackle the ha'nted house if you say so -- but I reckon it's taking chances."They had started down the hill by this time. There in the middle of the moonlit valley below them stood the "ha'nted" house, utterly isolated, its fences gone long ago, rank weeds smothering the very doorsteps, the chimney crumbled to ruin, the window-sashes vacant, a corner of the roof caved in. The boys gazed awhile, half expecting to see a blue light flit past a window; then talking in a low tone, as befitted the time and the circumstances, they struck far off to the right, to give the haunted house a wide berth, and took their way homeward through the woods that adorned the rearward side of Cardiff Hill.
或许您还会喜欢:
尼罗河上的惨案
作者:佚名
章节:47 人气:2
摘要:第一章(1)“林内特·里奇维!”“就是她!”伯纳比先生说。这位先生是“三王冠”旅馆的老板。他用手肘推推他的同伴。这两个人乡巴佬似的睁大眼睛盯着,嘴巴微微张开。一辆深红色的劳斯莱斯停在邮局门口。一个女孩跳下汽车,她没戴帽子,穿一件看起来很普通(只是看起来)的上衣。 [点击阅读]
百年孤独
作者:佚名
章节:26 人气:2
摘要:全书近30万字,内容庞杂,人物众多,情节曲折离奇,再加上神话故事、宗教典故、民间传说以及作家独创的从未来的角度来回忆过去的新颖倒叙手法等等,令人眼花缭乱。但阅毕全书,读者可以领悟,作家是要通过布恩地亚家族7代人充满神秘色*彩的坎坷经历来反映哥伦比亚乃至拉丁美洲的历史演变和社会现实,要求读者思考造成马贡多百年孤独的原因,从而去寻找摆脱命运捉弄的正确途径。 [点击阅读]
福尔赛世家三部曲1:有产业的人
作者:佚名
章节:37 人气:2
摘要:你可以回答这些奴隶是我们的。——《威尼斯商人》第一章老乔里恩家的茶会碰到福尔赛家有喜庆的事情,那些有资格去参加的人都曾看见过那种中上层人家的华妆盛服,不但看了开心,也增长见识。可是,在这些荣幸的人里面,如果哪一个具有心理分析能力的话(这种能力毫无金钱价值,因而照理不受到福尔赛家人的重视),就会看出这些场面不但只是好看,也说明一个没有被人注意到的社会问题。 [点击阅读]
中短篇小说
作者:佚名
章节:41 人气:2
摘要:——泰戈尔短篇小说浅谈——黄志坤罗宾德拉纳特·泰戈尔(RobindranathTagore,1861.5.7——1941.8.7)是一位驰名世界的印度诗人、作家、艺术家、哲学家和社会活动家。他勤奋好学孜孜不倦,在60多年的创作生涯中给人们留下了50多部清新隽永的诗集,10余部脍炙人口的中、长篇小说,90多篇绚丽多采的短篇小说,40余个寓意深刻的剧本,以及大量的故事、散文、论著、游记、书简等著作。 [点击阅读]
名人传
作者:佚名
章节:55 人气:2
摘要:《名人传》包括《贝多芬传》、《米开朗基罗传》和《托尔斯泰传》三部传记。又称三大英雄传。《贝多芬传》:贝多芬出生于贫寒的家庭,父亲是歌剧演员,性格粗鲁,爱酗酒,母亲是个女仆。贝多芬本人相貌丑陋,童年和少年时代生活困苦,还经常受到父亲的打骂。贝多芬十一岁加入戏院乐队,十三岁当大风琴手。十七岁丧母,他独自一人承担着两个兄弟的教育的责任。1792年11月贝多芬离开了故乡波恩,前往音乐之都维也纳。 [点击阅读]
理智与情感
作者:佚名
章节:59 人气:2
摘要:【作者简介】简·奥斯汀(1775~1817)英国女小说家。生于乡村小镇斯蒂文顿,父亲是当地教区牧师。奥斯丁没有上过正规学校,在父母指导下阅读了大量文学作品。她20岁左右开始写作,共发表了6部长篇小说。1811年出版的《理智和情感》是她的处女作,随后又接连发表了《傲慢与偏见》(1813)、《曼斯菲尔德花园》(1814)和《爱玛》(1815)。 [点击阅读]
霍比特人
作者:佚名
章节:50 人气:2
摘要:在地底洞穴中住着一名哈比人。这可不是那种又脏又臭又湿,长满了小虫,满是腐败气味的洞穴;但是,它也并非是那种空旷多沙、了无生气、没有家具的无聊洞穴。这是个哈比人居住的洞穴,也是舒舒服服的同义词。这座洞穴有个像是舷窗般浑圆、漆成绿色的大门,在正中央有个黄色的闪亮门把。 [点击阅读]
猎奇的后果
作者:佚名
章节:43 人气:2
摘要:他是一个过于无聊而又喜好猎奇的人。据说有个侦探小说家(他就是因为大无聊才开始看世上惟一刺激的东西——侦探小说的)曾担心地指出,总是沉迷在血腥的犯罪案中,最终会无法满足于小说,而走上真正的犯罪道路,比如说犯下杀人罪等等。我们故事里的主人公就确确实实做了那位侦探小说家所担心的事情。由于猎奇心理作祟,最终犯下了可怕的罪行。猎奇之徒啊,你们千万不要走得太远。这个故事就是你们最好的前车之鉴。 [点击阅读]
绿里奇迹
作者:佚名
章节:59 人气:2
摘要:这件事发生在1932年,当时的州立监狱还在冷山。当然了,还有电椅。狱中囚犯常拿电椅开玩笑,对令人恐惧却又摆脱不掉的东西,大家总喜欢如此地取笑一番。他们管它叫“电伙计”,或者叫“大榨汁机”。大伙谈论电费单,谈论那年秋天监狱长穆尔斯不得不自己做感恩节晚餐,因为他妻子梅琳达病得没法做饭了。不过,对于那些真得要坐到电椅上的人,这些玩笑很快就不合时宜了。 [点击阅读]
黑暗塔首曲·枪侠
作者:佚名
章节:68 人气:2
摘要:“对我来说,最佳的效果是读者在阅读我的小说时因心脏病发作而死去。”——斯蒂芬·金金用他那魔鬼般的手指一拨,所有紧绷的心弦都为之轰响,在一阵惊悸又一阵心跳中,带你进入颤栗的深渊……让我们开宗明义:如果还有谁不知道这斯的为何方怪物, [点击阅读]
傲慢与偏见
作者:佚名
章节:70 人气:2
摘要:简·奥斯汀(JaneAusten,1775年12月16日-1817年7月18日)是英国著名女性*小说家,她的作品主要关注乡绅家庭女性*的婚姻和生活,以女性*特有的细致入微的观察力和活泼风趣的文字真实地描绘了她周围世界的小天地。奥斯汀终身未婚,家道小康。由于居住在乡村小镇,接触到的是中小地主、牧师等人物以及他们恬静、舒适的生活环境,因此她的作品里没有重大的社会矛盾。 [点击阅读]
名士风流
作者:佚名
章节:57 人气:2
摘要:柳鸣九文学的作用在于向别人展示作家自己所看待的世界。这部小说的一个人物曾经这样认为:“为什么不动笔创作一部时间与地点明确、而且具有一定意义的小说呢?叙述一个当今的故事,读者可以从中看到自己的忧虑,发现自己的问题,既不去揭示什么,也不去鼓动什么,仅仅作为一个见证。”这个人物这样思忖着。 [点击阅读]
Copyright© 2006-2019. All Rights Reserved.