姐,我要。。。
轻松的小说阅读环境
汤姆·索亚历险记 - Chapter 6
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  MONDAY morning found Tom Sawyer miserable. Monday morning always found him so -- because it began another week's slow suffering in school. He generally began that day with wishing he had had no intervening holiday, it made the going into captivity and fetters again so much more odious.Tom lay thinking. presently it occurred to him that he wished he was sick; then he could stay home from school. Here was a vague possibility. He canvassed his system. No ailment was found, and he investigated again. This time he thought he could detect colicky symptoms, and he began to encourage them with considerable hope. But they soon grew feeble, and presently died wholly away. He reflected further. Suddenly he discovered something. One of his upper front teeth was loose. This was lucky; he was about to begin to groan, as a "starter," as he called it, when it occurred to him that if he came into court with that argument, his aunt would pull it out, and that would hurt. So he thought he would hold the tooth in reserve for the present, and seek further. Nothing offered for some little time, and then he remembered hearing the doctor tell about a certain thing that laid up a patient for two or three weeks and threatened to make him lose a finger. So the boy eagerly drew his sore toe from under the sheet and held it up for inspection. But now he did not know the necessary symptoms. However, it seemed well worth while to chance it, so he fell to groaning with considerable spirit.But Sid slept on unconscious.Tom groaned louder, and fancied that he began to feel pain in the toe.No result from Sid.Tom was panting with his exertions by this time. He took a rest and then swelled himself up and fetched a succession of admirable groans.Sid snored on.Tom was aggravated. He said, "Sid, Sid!" and shook him. This course worked well, and Tom began to groan again. Sid yawned, stretched, then brought himself up on his elbow with a snort, and began to stare at Tom. Tom went on groaning. Sid said:"Tom! Say, Tom!" [No response.] "Here, Tom! Tom! What is the matter, Tom?" And he shook him and looked in his face anxiously.Tom moaned out:"Oh, don't, Sid. Don't joggle me.""Why, what's the matter, Tom? I must call auntie.""No -- never mind. It'll be over by and by, maybe. Don't call anybody.""But I must! don't groan so, Tom, it's awful. How long you been this way?""Hours. Ouch! Oh, don't stir so, Sid, you'll kill me.""Tom, why didn't you wake me sooner ? Oh, Tom, don't! It makes my flesh crawl to hear you. Tom, what is the matter?""I forgive you everything, Sid. [Groan.] Everything you've ever done to me. When I'm gone --""Oh, Tom, you ain't dying, are you? Don't, Tom -- oh, don't. Maybe --""I forgive everybody, Sid. [Groan.] Tell 'em so, Sid. And Sid, you give my window-sash and my cat with one eye to that new girl that's come to town, and tell her --"But Sid had snatched his clothes and gone. Tom was suffering in reality, now, so handsomely was his imagination working, and so his groans had gathered quite a genuine tone.Sid flew down-stairs and said:"Oh, Aunt polly, come! Tom's dying!""Dying!""Yes'm. Don't wait -- come quick!""Rubbage! I don't believe it!"But she fled up-stairs, nevertheless, with Sid and Mary at her heels. And her face grew white, too, and her lip trembled. When she reached the bedside she gasped out:"You, Tom! Tom, what's the matter with you?""Oh, auntie, I'm --""What's the matter with you -- what is the matter with you, child?""Oh, auntie, my sore toe's mortified!"The old lady sank down into a chair and laughed a little, then cried a little, then did both together. This restored her and she said:"Tom, what a turn you did give me. Now you shut up that nonsense and climb out of this."The groans ceased and the pain vanished from the toe. The boy felt a little foolish, and he said:"Aunt polly, it seemed mortified, and it hurt so I never minded my tooth at all.""Your tooth, indeed! What's the matter with your tooth?""One of them's loose, and it aches perfectly awful.""There, there, now, don't begin that groaning again. Open your mouth. Well -- your tooth is loose, but you're not going to die about that. Mary, get me a silk thread, and a chunk of fire out of the kitchen."Tom said:"Oh, please, auntie, don't pull it out. It don't hurt any more. I wish I may never stir if it does. please don't, auntie. I don't want to stay home from school.""Oh, you don't, don't you? So all this row was because you thought you'd get to stay home from school and go a-fishing? Tom, Tom, I love you so, and you seem to try every way you can to break my old heart with your outrageousness." By this time the dental instruments were ready. The old lady made one end of the silk thread fast to Tom's tooth with a loop and tied the other to the bedpost. Then she seized the chunk of fire and suddenly thrust it almost into the boy's face. The tooth hung dangling by the bedpost, now.But all trials bring their compensations. As Tom wended to school after breakfast, he was the envy of every boy he met because the gap in his upper row of teeth enabled him to expectorate in a new and admirable way. He gathered quite a following of lads interested in the exhibition; and one that had cut his finger and had been a centre of fascination and homage up to this time, now found himself suddenly without an adherent, and shorn of his glory. His heart was heavy, and he said with a disdain which he did not feel that it wasn't anything to spit like Tom Sawyer; but another boy said, "Sour grapes!" and he wandered away a dismantled hero.Shortly Tom came upon the juvenile pariah of the village, Huckleberry Finn, son of the town drunkard. Huckleberry was cordially hated and dreaded by all the mothers of the town, because he was idle and lawless and vulgar and bad -- and because all their children admired him so, and delighted in his forbidden society, and wished they dared to be like him. Tom was like the rest of the respectable boys, in that he envied Huckleberry his gaudy outcast condition, and was under strict orders not to play with him. So he played with him every time he got a chance. Huckleberry was always dressed in the cast-off clothes of full-grown men, and they were in perennial bloom and fluttering with rags. His hat was a vast ruin with a wide crescent lopped out of its brim; his coat, when he wore one, hung nearly to his heels and had the rearward buttons far down the back; but one suspender supported his trousers; the seat of the trousers bagged low and contained nothing, the fringed legs dragged in the dirt when not rolled up.Huckleberry came and went, at his own free will. He slept on doorsteps in fine weather and in empty hogsheads in wet; he did not have to go to school or to church, or call any being master or obey anybody; he could go fishing or swimming when and where he chose, and stay as long as it suited him; nobody forbade him to fight; he could sit up as late as he pleased; he was always the first boy that went barefoot in the spring and the last to resume leather in the fall; he never had to wash, nor put on clean clothes; he could swear wonderfully. In a word, everything that goes to make life precious that boy had. So thought every harassed, hampered, respectable boy in St. petersburg.Tom hailed the romantic outcast:"Hello, Huckleberry!""Hello yourself, and see how you like it.""What's that you got?""Dead cat.""Lemme see him, Huck. My, he's pretty stiff. Where'd you get him ?""Bought him off'n a boy.""What did you give?""I give a blue ticket and a bladder that I got at the slaughter-house.""Where'd you get the blue ticket?""Bought it off'n Ben Rogers two weeks ago for a hoop-stick.""Say -- what is dead cats good for, Huck?""Good for? Cure warts with.""No! Is that so? I know something that's better.""I bet you don't. What is it?""Why, spunk-water.""Spunk-water! I wouldn't give a dern for spunk-water.""You wouldn't, wouldn't you? D'you ever try it?""No, I hain't. But Bob Tanner did.""Who told you so!""Why, he told Jeff Thatcher, and Jeff told Johnny Baker, and Johnny told Jim Hollis, and Jim told Ben Rogers, and Ben told a nigger, and the nigger told me. There now!""Well, what of it? They'll all lie. Leastways all but the nigger. I don't know him. But I never see a nigger that wouldn't lie. Shucks! Now you tell me how Bob Tanner done it, Huck.""Why, he took and dipped his hand in a rotten stump where the rain-water was.""In the daytime?""Certainly.""With his face to the stump?""Yes. Least I reckon so.""Did he say anything?""I don't reckon he did. I don't know.""Aha! Talk about trying to cure warts with spunk-water such a blame fool way as that! Why, that ain't a-going to do any good. You got to go all by yourself, to the middle of the woods, where you know there's a spunk-water stump, and just as it's midnight you back up against the stump and jam your hand in and say:'Barley-corn, barley-corn, injun-meal shorts, Spunk-water, spunk-water, swaller these warts,'and then walk away quick, eleven steps, with your eyes shut, and then turn around three times and walk home without speaking to anybody. Because if you speak the charm's busted.""Well, that sounds like a good way; but that ain't the way Bob Tanner done.""No, sir, you can bet he didn't, becuz he's the wartiest boy in this town; and he wouldn't have a wart on him if he'd knowed how to work spunk-water. I've took off thousands of warts off of my hands that way, Huck. I play with frogs so much that I've always got considerable many warts. Sometimes I take 'em off with a bean.""Yes, bean's good. I've done that.""Have you? What's your way?""You take and split the bean, and cut the wart so as to get some blood, and then you put the blood on one piece of the bean and take and dig a hole and bury it 'bout midnight at the crossroads in the dark of the moon, and then you burn up the rest of the bean. You see that piece that's got the blood on it will keep drawing and drawing, trying to fetch the other piece to it, and so that helps the blood to draw the wart, and pretty soon off she comes.""Yes, that's it, Huck -- that's it; though when you're burying it if you say 'Down bean; off wart; come no more to bother me!' it's better. That's the way Joe Harper does, and he's been nearly to Coonville and most everywheres. But say -- how do you cure 'em with dead cats?""Why, you take your cat and go and get in the graveyard 'long about midnight when somebody that was wicked has been buried; and when it's midnight a devil will come, or maybe two or three, but you can't see 'em, you can only hear something like the wind, or maybe hear 'em talk; and when they're taking that feller away, you heave your cat after 'em and say, 'Devil follow corpse, cat follow devil, warts follow cat, I'm done with ye!' That'll fetch any wart.""Sounds right. D'you ever try it, Huck?""No, but old Mother Hopkins told me.""Well, I reckon it's so, then. Becuz they say she's a witch.""Say! Why, Tom, I KNOW she is. She witched pap. pap says so his own self. He come along one day, and he see she was a-witching him, so he took up a rock, and if she hadn't dodged, he'd a got her. Well, that very night he rolled off'n a shed wher' he was a layin drunk, and broke his arm.""Why, that's awful. How did he know she was a-witching him?""Lord, pap can tell, easy. pap says when they keep looking at you right stiddy, they're a-witching you. Specially if they mumble. Becuz when they mumble they're saying the Lord's prayer backards.""Say, Hucky, when you going to try the cat?""To-night. I reckon they'll come after old Hoss Williams to-night.""But they buried him Saturday. Didn't they get him Saturday night?""Why, how you talk! How could their charms work till midnight? -- and then it's Sunday. Devils don't slosh around much of a Sunday, I don't reckon.""I never thought of that. That's so. Lemme go with you?""Of course -- if you ain't afeard.""Afeard! 'Tain't likely. Will you meow?""Yes -- and you meow back, if you get a chance. Last time, you kep' me a-meowing around till old Hays went to throwing rocks at me and says 'Dern that cat!' and so I hove a brick through his window -- but don't you tell.""I won't. I couldn't meow that night, becuz auntie was watching me, but I'll meow this time. Say -- what's that?""Nothing but a tick.""Where'd you get him?""Out in the woods.""What'll you take for him?""I don't know. I don't want to sell him.""All right. It's a mighty small tick, anyway.""Oh, anybody can run a tick down that don't belong to them. I'm satisfied with it. It's a good enough tick for me.""Sho, there's ticks a plenty. I could have a thousand of 'em if I wanted to.""Well, why don't you? Becuz you know mighty well you can't. This is a pretty early tick, I reckon. It's the first one I've seen this year.""Say, Huck -- I'll give you my tooth for him.""Less see it."Tom got out a bit of paper and carefully unrolled it. Huckleberry viewed it wistfully. The temptation was very strong. At last he said:"Is it genuwyne?"Tom lifted his lip and showed the vacancy."Well, all right," said Huckleberry, "it's a trade."Tom enclosed the tick in the percussion-cap box that had lately been the pinchbug's prison, and the boys separated, each feeling wealthier than before.When Tom reached the little isolated frame schoolhouse, he strode in briskly, with the manner of one who had come with all honest speed. He hung his hat on a peg and flung himself into his seat with business-like alacrity. The master, throned on high in his great splint-bottom arm-chair, was dozing, lulled by the drowsy hum of study. The interruption roused him."Thomas Sawyer!"Tom knew that when his name was pronounced in full, it meant trouble."Sir!""Come up here. Now, sir, why are you late again, as usual?"Tom was about to take refuge in a lie, when he saw two long tails of yellow hair hanging down a back that he recognized by the electric sympathy of love; and by that form was the only vacant place on the girls' side of the school-house. He instantly said:"I STOppED TO TALK WITH HUCKLEBERRY FINN!"The master's pulse stood still, and he stared helplessly. The buzz of study ceased. The pupils wondered if this foolhardy boy had lost his mind. The master said:"You -- you did what?""Stopped to talk with Huckleberry Finn."There was no mistaking the words."Thomas Sawyer, this is the most astounding confession I have ever listened to. No mere ferule will answer for this offence. Take off your jacket."The master's arm performed until it was tired and the stock of switches notably diminished. Then the order followed:"Now, sir, go and sit with the girls! And let this be a warning to you."The titter that rippled around the room appeared to abash the boy, but in reality that result was caused rather more by his worshipful awe of his unknown idol and the dread pleasure that lay in his high good fortune. He sat down upon the end of the pine bench and the girl hitched herself away from him with a toss of her head. Nudges and winks and whispers traversed the room, but Tom sat still, with his arms upon the long, low desk before him, and seemed to study his book.By and by attention ceased from him, and the accustomed school murmur rose upon the dull air once more. presently the boy began to steal furtive glances at the girl. She observed it, "made a mouth" at him and gave him the back of her head for the space of a minute. When she cautiously faced around again, a peach lay before her. She thrust it away. Tom gently put it back. She thrust it away again, but with less animosity. Tom patiently returned it to its place. Then she let it remain. Tom scrawled on his slate, "please take it -- I got more." The girl glanced at the words, but made no sign. Now the boy began to draw something on the slate, hiding his work with his left hand. For a time the girl refused to notice; but her human curiosity presently began to manifest itself by hardly perceptible signs. The boy worked on, apparently unconscious. The girl made a sort of non-committal attempt to see, but the boy did not betray that he was aware of it. At last she gave in and hesitatingly whispered:"Let me see it."Tom partly uncovered a dismal caricature of a house with two gable ends to it and a corkscrew of smoke issuing from the chimney. Then the girl's interest began to fasten itself upon the work and she forgot everything else. When it was finished, she gazed a moment, then whispered:"It's nice -- make a man."The artist erected a man in the front yard, that resembled a derrick. He could have stepped over the house; but the girl was not hypercritical; she was satisfied with the monster, and whispered:"It's a beautiful man -- now make me coming along."Tom drew an hour-glass with a full moon and straw limbs to it and armed the spreading fingers with a portentous fan. The girl said:"It's ever so nice -- I wish I could draw.""It's easy," whispered Tom, "I'll learn you.""Oh, will you? When?""At noon. Do you go home to dinner?""I'll stay if you will.""Good -- that's a whack. What's your name?""Becky Thatcher. What's yours? Oh, I know. It's Thomas Sawyer.""That's the name they lick me by. I'm Tom when I'm good. You call me Tom, will you?""Yes."Now Tom began to scrawl something on the slate, hiding the words from the girl. But she was not backward this time. She begged to see. Tom said:"Oh, it ain't anything.""Yes it is.""No it ain't. You don't want to see.""Yes I do, indeed I do. please let me.""You'll tell.""No I won't -- deed and deed and double deed won't.""You won't tell anybody at all? Ever, as long as you live?""No, I won't ever tell anybody. Now let me.""Oh, you don't want to see!""Now that you treat me so, I will see." And she put her small hand upon his and a little scuffle ensued, Tom pretending to resist in earnest but letting his hand slip by degrees till these words were revealed: "I love you.""Oh, you bad thing!" And she hit his hand a smart rap, but reddened and looked pleased, nevertheless.Just at this juncture the boy felt a slow, fateful grip closing on his ear, and a steady lifting impulse. In that vise he was borne across the house and deposited in his own seat, under a peppering fire of giggles from the whole school. Then the master stood over him during a few awful moments, and finally moved away to his throne without saying a word. But although Tom's ear tingled, his heart was jubilant.As the school quieted down Tom made an honest effort to study, but the turmoil within him was too great. In turn he took his place in the reading class and made a botch of it; then in the geography class and turned lakes into mountains, mountains into rivers, and rivers into continents, till chaos was come again; then in the spelling class, and got "turned down," by a succession of mere baby words, till he brought up at the foot and yielded up the pewter medal which he had worn with ostentation for months.
或许您还会喜欢:
日本的黑雾
作者:佚名
章节:86 人气:2
摘要:松本清张是日本当代着名的小说家,一九〇九年生于福冈县小仓市。高小毕业后,曾在电机厂、石版印刷厂做过工,生活艰苦。自一九三八年起,先后在朝日新闻社九州岛分社、西部总社、东京总社任职,同时练习写作。一九五〇年发表第一篇作品《西乡钞票》,借明治初期西乡隆盛领导的西乡军滥发军票造成的混乱状况来影射战后初期日本通货膨胀、钞票贬值的时局。一九五二年,以《〈小仓日记〉传》获芥川奖,从此登上文坛。 [点击阅读]
包法利夫人
作者:佚名
章节:52 人气:2
摘要:荐语:未满十八岁请在家长指导下阅读本书。版本较好的是上海译文出版社周克希先生的译本。价廉物美,仅10元一本,现在最便宜最没有人看的恐怕就是这些名著了。【小说】--引言小说描写的是一位小资产阶级妇女,因为不满意夫妻生活平淡无奇而和别人通|奸,最终因此身败名裂,服毒自杀的故事。 [点击阅读]
十字军骑士
作者:佚名
章节:103 人气:2
摘要:——《十字军骑士》亨利克·显克维奇是我国读者熟悉的波兰著名作家。他的历史长篇小说《你往何处去》和短篇小说集早已介绍到我国来了。《十字军骑士》是作者另一部重要的历史长篇小说,这次介绍给我国读者,将使我国读者对这位作家得到进一步的了解。亨利克·显克维奇一八四六年五月四日生于波兰一个地主家庭。他的早期作品大多描写波兰农民的生活,对于农民的艰苦劳动、悲惨生活有所反映。 [点击阅读]
卡拉马佐夫兄弟
作者:佚名
章节:94 人气:2
摘要:献给安娜-格里戈里耶芙娜-陀思妥耶夫斯卡娅卡拉马佐夫兄弟我实实在在的告诉你们:一粒麦子不落在地里死了,仍旧是一粒;若是死了,就结出许多子粒来。(《约翰福音》第十二章第二十四节)第一部第一卷一个家庭的历史第一节费多尔-巴夫洛维奇-卡拉马佐夫阿历克赛-费多罗维奇-卡拉马佐夫是我县地主费多尔-巴夫洛维奇-卡拉马佐夫的第三个儿子。 [点击阅读]
舞舞舞
作者:佚名
章节:117 人气:2
摘要:林少华一在日本当代作家中,村上春树的确是个不同凡响的存在,一颗文学奇星。短短十几年时间里,他的作品便风行东流列岛。出版社为他出了专集,杂志出了专号,书店设了专柜,每出一本书,销量少则10万,多则上百万册。其中1987年的《挪威的森林》上下册销出700余万册(1996年统计)。日本人口为我国的十分之一,就是说此书几乎每15人便拥有一册。以纯文学类小说而言,这绝对不是普通数字。 [点击阅读]
西方哲学史
作者:佚名
章节:81 人气:2
摘要:我馆历来重视移译世界各国学术名著。从五十年代起,更致力于翻译出版马克思主义诞生以前的古典学术著作,同时适当介绍当代具有定评的各派代表作品。幸赖著译界鼎力襄助,三十年来印行不下三百余种。我们确信只有用人类创造的全部知识财富来丰富自己的头脑,才能够建成现代化的社会主义社会。这些书籍所蕴藏的思想财富和学术价值,为学人所熟知,毋需赘述。 [点击阅读]
达芬奇密码
作者:佚名
章节:114 人气:2
摘要:郇山隐修会是一个确实存在的组织,是一个成立于1099年的欧洲秘密社团。1975年巴黎国家图书馆发现了被称作“秘密卷宗”的羊皮纸文献,才知道包皮括艾撒克·牛顿爵士、波担切利、维克多·雨果和列昂纳多·达·芬奇等众多人物均为郇山隐修会成员。人们所知的“天主事工会”是一个梵帝冈教派——一个极度虔诚的罗马天主教派。 [点击阅读]
堂吉诃德
作者:佚名
章节:134 人气:2
摘要:【一】乍看似乎荒诞不经.实则隐含作者对西班牙现实深刻的理解.作者采用讽刺夸张的艺术手法.把现实与幻想结合起来.表达他对时代的见解.现实主义的描写在中占主导地位.在环境描写方面.与旧骑士小说的装饰性*风景描写截然不同.作者以史诗般的宏伟规模.以农村为主要舞台.出场以平民为主.人数近700多人.在这广阔的社会背景中.绘出一幅幅各具特色*又互相联系的社会画面.作者塑造人物的方法也是虚实结合的. [点击阅读]
复活
作者:佚名
章节:136 人气:2
摘要:《马太福音》第十八章第二十一节至第二十二节:“那时彼得进前来,对耶稣说:主啊,我弟兄得罪我,我当饶恕他几次呢?到七次可以么?耶稣说:我对你说,不是到七次,乃是到七十个七次。”《马太福音》第七章第三节:“为什么看见你弟兄眼中有刺,却不想自己眼中有梁木呢?”《约翰福音》第八章第七节:“……你们中间谁是没有罪的,谁就可以先拿石头打她。 [点击阅读]
五十度灰英文版
作者:佚名
章节:67 人气:2
摘要:E L James is a TV executive, wife, and mother of two, based in West London. Since early childhood, she dreamt of writing stories that readers would fall in love with, but put those dreams on hold to focus on her family and her career. She finally plucked up the courage to put pen to paper with her first novel, Fifty Shades of Grey. [点击阅读]
大西洋底来的人
作者:佚名
章节:100 人气:2
摘要:阴云密布,狂风怒号,滔天的大浪冲击着海岸。海草、杂鱼、各种水生物被涌上海滩,在狂风中飘滚、颤动。一道嶙峋的峭壁在海边耸起,俯视着无边无际的滔滔大洋。一条破木船搁浅在岸边,孤零零地忍受着风浪的抽打。船上写着几行日文。孤船的旁边,一条被海浪选到沙滩上的小鲨鱼,发出刺耳的哀叫。在任暴的风浪里,野生的海带漂忽不走,有些在海浪里起伏深沉,有些被刮到海滩上,任凭酷热的蒸腾。 [点击阅读]
巴黎圣母院英文版
作者:佚名
章节:78 人气:2
摘要:维克多·雨果(VictorHugo),1802年2月26日-1885年5月22日)是法国浪漫主义作家的代表人物,是19世纪前期积极浪漫主义文学运动的领袖,法国文学史上卓越的资产阶级民主作家。雨果几乎经历了19世纪法国的一切重大事变。一生写过多部诗歌、小说、剧本、各种散文和文艺评论及政论文章,是法国有影响的人物。 [点击阅读]