姐,我要。。。
轻松的小说阅读环境
巴黎圣母院英文版 - BOOK EIGHTH CHAPTER VI.THREE HUMAN HEARTS DIFFERENTLY CONSTR
繁体
恢复默认
返回目录【键盘操作】左右光标键:上下章节;回车键:目录;双击鼠标:停止/启动自动滚动;滚动时上下光标键调节滚动速度。
  Moreover, there was nothing in her which was not shaken in some sort, and which with the exception of her modesty, she did not let go at will, so profoundly had she been broken by stupor and despair.Her body bounded at every jolt of the tumbrel like a dead or broken thing; her gaze was dull and imbecile.A tear was still visible in her eyes, but motionless and frozen, so to speak.Meanwhile, the lugubrious cavalcade has traversed the crowd amid cries of joy and curious attitudes.But as a faithful historian, we must state that on beholding her so beautiful, so depressed, many were moved with pity, even among the hardest of them.The tumbrel had entered the parvis.It halted before the central portal.The escort ranged themselves in line on both sides.The crowd became silent, and, in the midst of this silence full of anxiety and solemnity, the two leaves of the grand door swung back, as of themselves, on their hinges, which gave a creak like the sound of a fife.Then there became visible in all its length, the deep, gloomy church, hung in black, sparely lighted with a few candles gleaming afar off on the principal altar, opened in the midst of the place which was dazzling with light, like the mouth of a cavern.At the very extremity, in the gloom of the apse, a gigantic silver cross was visible against a black drapery which hung from the vault to the pavement.The whole nave was deserted.But a few heads of priests could be seen moving confusedly in the distant choir stalls, and, at the moment when the great door opened, there escaped from the church a loud, solemn, and monotonous chanting, which cast over the head of the condemned girl, in gusts, fragments of melancholy psalms,--"~Non timebo millia populi circumdantis me: exsurge, Domine; salvum me fac, Deus~!""~Salvum me fac, Deus, quoniam intraverunt aquoe usque ad animam meam~."~Infixus sum in limo profundi; et non est substantia~."At the same time, another voice, separate from the choir, intoned upon the steps of the chief altar, this melancholy offertory,-"~Qui verbum meum audit, et credit ei qui misit me, habet vitam oeternam et in judicium non venit; sed transit a morte im vitam~*."* "He that heareth my word and believeth on Him that sent me, hath eternal life, and hath not come into condemnation; but is passed from death to life."This chant, which a few old men buried in the gloom sang from afar over that beautiful creature, full of youth and life, caressed by the warm air of spring, inundated with sunlight was the mass for the dead.The people listened devoutly.The unhappy girl seemed to lose her sight and her consciousness in the obscure interior of the church.Her white lips moved as though in prayer, and the headsman's assistant who approached to assist her to alight from the cart, heard her repeating this word in a low tone,--"phoebus."They untied her hands, made her alight, accompanied by her goat, which had also been unbound, and which bleated with joy at finding itself free: and they made her walk barefoot on the hard pavement to the foot of the steps leading to the door. The rope about her neck trailed behind her.One would have said it was a serpent following her.Then the chanting in the church ceased.A great golden cross and a row of wax candles began to move through the gloom.The halberds of the motley beadles clanked; and, a few moments later, a long procession of priests in chasubles, and deacons in dalmatics, marched gravely towards the condemned girl, as they drawled their song, spread out before her view and that of the crowd.But her glance rested on the one who marched at the head, immediately after the cross-bearer."Oh!" she said in a low voice, and with a shudder, "'tis he again!the priest!"It was in fact, the archdeacon.On his left he had the sub- chanter, on his right, the chanter, armed with his official wand.He advanced with head thrown back, his eyes fixed and wide open, intoning in a strong voice,--"~De ventre inferi clamavi, et exaudisti vocem meam~."~Et projecisti me in profundum in corde mans, et flumem circumdedit me~*."*"Out of the belly of hell cried I, and thou heardest my voice.For thou hadst cast me into the deep in the midst of the seas, and the floods compassed me about."At the moment when he made his appearance in the full daylight beneath the lofty arched portal, enveloped in an ample cope of silver barred with a black cross, he was so pale that more than one person in the crowd thought that one of the marble bishops who knelt on the sepulchral stones of the choir had risen and was come to receive upon the brink of the tomb, the woman who was about to die.She, no less pale, no less like a statue, had hardly noticed that they had placed in her hand a heavy, lighted candle of yellow wax; she had not heard the yelping voice of the clerk reading the fatal contents of the apology; when they told her to respond with Amen, she responded Amen.She only recovered life and force when she beheld the priest make a sign to her guards to withdraw, and himself advance alone towards her.Then she felt her blood boil in her head, and a remnant of indignation flashed up in that soul already benumbed and cold.The archdeacon approached her slowly; even in that extremity, she beheld him cast an eye sparkling with sensuality, jealousy, and desire, over her exposed form.Then he said aloud,--"Young girl, have you asked God's pardon for your faults and shortcomings?"He bent down to her ear, and added (the spectators supposed that he was receiving her last confession): "Will you have me?I can still save you!"She looked intently at him: "Begone, demon, or I will denounce you!"He gave vent to a horrible smile: "You will not be believed. You will only add a scandal to a crime.Reply quickly!Will you have me?""What have you done with my phoebus?""He is dead!" said the priest.At that moment the wretched archdeacon raised his head mechanically and beheld at the other end of the place, in the balcony of the Gondelaurier mansion, the captain standing beside Fleur-de-Lys.He staggered, passed his hand across his eyes, looked again, muttered a curse, and all his features were violently contorted."Well, die then!" he hissed between his teeth."No one shall have you."Then, raising his hand over the gypsy, he exclaimed in a funereal voice:--"~I nunc, anima anceps, et sit tibi Deus misenicors~!"**"Go now, soul, trembling in the balance, and God have mercy upon thee."This was the dread formula with which it was the custom to conclude these gloomy ceremonies.It was the signal agreed upon between the priest and the executioner.The crowd knelt."~Kyrie eleison~,"* said the priests, who had remained beneath the arch of the portal.*"Lord have mercy upon us.""~Kyrie eleison~," repeated the throng in that murmur which runs over all heads, like the waves of a troubled sea."Amen," said the archdeacon.He turned his back on the condemned girl, his head sank upon his breast once more, he crossed his hands and rejoined his escort of priests, and a moment later he was seen to disappear, with the cross, the candles, and the copes, beneath the misty arches of the cathedral, and his sonorous voice was extinguished by degrees in the choir, as he chanted this verse of despair,--"~Omnes gurgites tui et fluctus tui super me transierunt."**"All thy waves and thy billows have gone over me."At the same time, the intermittent clash of the iron butts of the beadles' halberds, gradually dying away among the columns of the nave, produced the effect of a clock hammer striking the last hour of the condemned.The doors of Notre-Dame remained open, allowing a view of the empty desolate church, draped in mourning, without candles, and without voices.The condemned girl remained motionless in her place, waiting to be disposed of.One of the sergeants of police was obliged to notify Master Charmolue of the fact, as the latter, during this entire scene, had been engaged in studying the bas-relief of the grand portal which represents, according to some, the sacrifice of Abraham; according to others, the philosopher's alchemical operation: the sun being figured forth by the angel; the fire, by the fagot; the artisan, by Abraham.There was considerable difficulty in drawing him away from that contemplation, but at length he turned round; and, at a signal which he gave, two men clad in yellow, the executioner's assistants, approached the gypsy to bind her hands once more.The unhappy creature, at the moment of mounting once again the fatal cart, and proceeding to her last halting-place, was seized, possibly, with some poignant clinging to life. She raised her dry, red eyes to heaven, to the sun, to the silvery clouds, cut here and there by a blue trapezium or triangle; then she lowered them to objects around her, to the earth, the throng, the houses; all at once, while the yellow man was binding her elbows, she uttered a terrible cry, a cry of joy.Yonder, on that balcony, at the corner of the place, she had just caught sight of him, of her friend, her lord, phoebus, the other apparition of her life!The judge had lied! the priest had lied! it was certainly he, she could not doubt it; he was there, handsome, alive, dressed in his brilliant uniform, his plume on his head, his sword by his side!"phoebus!" she cried, "my phoebus!"And she tried to stretch towards him arms trembling with love and rapture, but they were bound.Then she saw the captain frown, a beautiful young girl who was leaning against him gazed at him with disdainful lips and irritated eyes; then phoebus uttered some words which did not reach her, and both disappeared precipitately behind the window opening upon the balcony, which closed after them."phoebus!" she cried wildly, "can it be you believe it?" A monstrous thought had just presented itself to her.She remembered that she had been condemned to death for murder committed on the person of phoebus de Chateaupers.She had borne up until that moment.But this last blow was too harsh.She fell lifeless on the pavement."Come," said Charmolue, "carry her to the cart, and make an end of it."No one had yet observed in the gallery of the statues of the kings, carved directly above the arches of the portal, a strange spectator, who had, up to that time, observed everything with such impassiveness, with a neck so strained, a visage so hideous that, in his motley accoutrement of red and violet, he might have been taken for one of those stone monsters through whose mouths the long gutters of the cathedral have discharged their waters for six hundred years.This spectator had missed nothing that had taken place since midday in front of the portal of Notre-Dame.And at the very beginning he had securely fastened to one of the small columns a large knotted rope, one end of which trailed on the flight of steps below.This being done, he began to look on tranquilly, whistling from time to time when a blackbird flitted past. Suddenly, at the moment when the superintendent's assistants were preparing to execute Charmolue's phlegmatic order, he threw his leg over the balustrade of the gallery, seized the rope with his feet, his knees and his hands; then he was seen to glide down the fa?ade, as a drop of rain slips down a window- pane, rush to the two executioners with the swiftness of a cat which has fallen from a roof, knock them down with two enormous fists, pick up the gypsy with one hand, as a child would her doll, and dash back into the church with a single bound, lifting the young girl above his head and crying in a formidable voice,--"Sanctuary!"This was done with such rapidity, that had it taken place at night, the whole of it could have been seen in the space of a single flash of lightning."Sanctuary!Sanctuary!" repeated the crowd; and the clapping of ten thousand hands made Quasimodo's single eye sparkle with joy and pride.This shock restored the condemned girl to her senses.She raised her eyelids, looked at Quasimodo, then closed them again suddenly, as though terrified by her deliverer.Charmolue was stupefied, as well as the executioners and the entire escort.In fact, within the bounds of Notre-Dame, the condemned girl could not be touched.The cathedral was a place of refuge.All temporal jurisdiction expired upon its threshold.Quasimodo had halted beneath the great portal, his huge feet seemed as solid on the pavement of the church as the heavy Roman pillars.His great, bushy head sat low between his shoulders, like the heads of lions, who also have a mane and no neck.He held the young girl, who was quivering all over, suspended from his horny hands like a white drapery; but he carried her with as much care as though he feared to break her or blight her.One would have said that he felt that she was a delicate, exquisite, precious thing, made for other hands than his.There were moments when he looked as if not daring to touch her, even with his breath.Then, all at once, he would press her forcibly in his arms, against his angular bosom, like his own possession, his treasure, as the mother of that child would have done.His gnome's eye, fastened upon her, inundated her with tenderness, sadness, and pity, and was suddenly raised filled with lightnings.Then the women laughed and wept, the crowd stamped with enthusiasm, for, at that moment Quasimodo had a beauty of his own.He was handsome; he, that orphan, that foundling, that outcast, he felt himself august and strong, he gazed in the face of that society from which he was banished, and in which he had so powerfully intervened, of that human justice from which he had wrenched its prey, of all those tigers whose jaws were forced to remain empty, of those policemen, those judges, those executioners, of all that force of the king which he, the meanest of creatures, had just broken, with the force of God.And then, it was touching to behold this protection which had fallen from a being so hideous upon a being so unhappy, a creature condemned to death saved by Quasimodo.They were two extremes of natural and social wretchedness, coming into contact and aiding each other.Meanwhile, after several moments of triumph, Quasimodo had plunged abruptly into the church with his burden.The populace, fond of all prowess, sought him with their eyes, beneath the gloomy nave, regretting that he had so speedily disappeared from their acclamations.All at once, he was seen to re-appear at one of the extremities of the gallery of the kings of France; he traversed it, running like a madman, raising his conquest high in his arms and shouting: "Sanctuary!" The crowd broke forth into fresh applause.The gallery passed, he plunged once more into the interior of the church.A moment later, he re-appeared upon the upper platform, with the gypsy still in his arms, still running madly, still crying, "Sanctuary!" and the throng applauded. Finally, he made his appearance for the third time upon the summit of the tower where hung the great bell; from that point he seemed to be showing to the entire city the girl whom he had saved, and his voice of thunder, that voice which was so rarely heard, and which he never heard himself, repeated thrice with frenzy, even to the clouds: "Sanctuary! Sanctuary!Sanctuary!""Noel!Noel!" shouted the populace in its turn; and that immense acclamation flew to astonish the crowd assembled at the Grève on the other bank, and the recluse who was still waiting with her eyes riveted on the gibbet.
或许您还会喜欢:
午夜的五分前
作者:佚名
章节:2 人气:0
摘要:店内的摆设几乎没有变化。除了满眼遍布的令人一看便联想到店名“圣母玛利亚号”的轮船模型、老旧航海图和小小的地球仪勉强算得上个性外,它与学生街上数不清的各色咖啡馆并没有太多分别。虽然没有特别吸引我的地方,不过想要喝杯咖啡的时候,学生时代的我总是来到这家店。在我和小金井小姐面前摆上两杯水,为我们点菜的店老板也没有变化。他穿着白色衬衫和灰色西装裤,显然这样的装扮与咖啡店店主的身份不甚相称。 [点击阅读]
华莱士人鱼
作者:佚名
章节:29 人气:0
摘要:第一部分序章片麟(19世纪香港)英国生物学家达尔文(1809~1882),是伟大的《物种起源》一书的作者,是提出进化论的旷世奇才。乘坐菲茨·路易船长率领的海军勘探船小猎犬号作环球航行时,他才三十一岁。正是这次航行,使达尔文萌发了进化论的构想。然而,《物种起源》并非进化论的开端。 [点击阅读]
南回归线
作者:佚名
章节:28 人气:0
摘要:《南回归线》作为亨利·米勒自传式罗曼史的重要作品,主要叙述和描写了亨利·米勒早年在纽约的生活经历,以及与此有关的种种感想、联想、遐想和幻想。亨利·米勒在书中描写的一次次性*冲动构成了一部性*狂想曲,而他的性*狂想曲又是他批判西方文化、重建自我的非道德化倾向的一部分。 [点击阅读]
卡拉马佐夫兄弟
作者:佚名
章节:94 人气:0
摘要:献给安娜-格里戈里耶芙娜-陀思妥耶夫斯卡娅卡拉马佐夫兄弟我实实在在的告诉你们:一粒麦子不落在地里死了,仍旧是一粒;若是死了,就结出许多子粒来。(《约翰福音》第十二章第二十四节)第一部第一卷一个家庭的历史第一节费多尔-巴夫洛维奇-卡拉马佐夫阿历克赛-费多罗维奇-卡拉马佐夫是我县地主费多尔-巴夫洛维奇-卡拉马佐夫的第三个儿子。 [点击阅读]
印第安酋长
作者:佚名
章节:10 人气:0
摘要:亲爱的读者,你知道,“青角”这个词是什么意思吗?无论用在谁身上,这个词都损人、气人到极点,它指的是触角。“青”就是青,“角”就是触角。因此“青角”是个刚到这个国家(指美国),缺乏经验,尚显稚嫩的人,如果他不想惹人嫌,就得小心翼翼地探出他的触角。我当初也是这么一个“青角”。 [点击阅读]
双城记
作者:佚名
章节:58 人气:0
摘要:内容提要1757年12月的一个月夜,寓居巴黎的年轻医生梅尼特(Dr.Manette)散步时,突然被厄弗里蒙地侯爵(MarquisSt.Evremonde)兄弟强迫出诊。在侯爵府第中,他目睹一个发狂的绝色*农妇和一个身受剑伤的少年饮恨而死的惨状,并获悉侯爵兄弟为了片刻婬*乐杀害他们全家的内情。他拒绝侯爵兄弟的重金贿赂,写信向朝廷告发。 [点击阅读]
古拉格群岛
作者:佚名
章节:64 人气:0
摘要:“在专政时代,在处于敌人四面八方包皮围的情况下,我们有时表现出了不应有的温和、不应有的心软”克雷连科:在审理“工业党”案件时的发言第一章逮捕这个神秘的群岛人们是怎样进去的呢?到那里,时时刻刻有飞机飞去,船舶开去,火车隆隆驶去——可是它们上面却没有标明目的地的字样。售票员也好,苏联旅行社和国际旅行社的经理人员也好,如果你向他们询问到那里去的票子,他们会感到惊异。 [点击阅读]
叶盘集
作者:佚名
章节:18 人气:0
摘要:地球夕阳西坠,黄昏的祭坛下,地球,接受我双手合十最后的顶礼!女中俊杰,你历来受到英雄的尊崇。你温柔而刚烈,秉性中揉合着男性、女性的迥异气质;以不堪忍受的冲突摇撼人们的生活。你右手擎着斟满琼浆的金钟,左手将其击碎。你的游乐场响彻尖刻的讥嘲。你剥夺英雄们享受高尚生活的权力。你赋于“至善”以无上价值,你不怜悯可怜虫。你在繁茂的枝叶间隐藏了无休无止的拼搏,果实里准备胜利花环。 [点击阅读]
吉檀迦利
作者:佚名
章节:11 人气:0
摘要:冰心译1你已经使我永生,这样做是你的欢乐。这脆薄的杯儿,你不断地把它倒空,又不断地以新生命来充满。这小小的苇笛,你携带着它逾山越谷,从笛管里吹出永新的音乐。在你双手的不朽的按抚下,我的小小的心,消融在无边快乐之中,发出不可言说的词调。你的无穷的赐予只倾入我小小的手里。时代过去了,你还在倾注,而我的手里还有余量待充满。 [点击阅读]
名人传
作者:佚名
章节:55 人气:0
摘要:《名人传》包括《贝多芬传》、《米开朗基罗传》和《托尔斯泰传》三部传记。又称三大英雄传。《贝多芬传》:贝多芬出生于贫寒的家庭,父亲是歌剧演员,性格粗鲁,爱酗酒,母亲是个女仆。贝多芬本人相貌丑陋,童年和少年时代生活困苦,还经常受到父亲的打骂。贝多芬十一岁加入戏院乐队,十三岁当大风琴手。十七岁丧母,他独自一人承担着两个兄弟的教育的责任。1792年11月贝多芬离开了故乡波恩,前往音乐之都维也纳。 [点击阅读]
名士风流
作者:佚名
章节:57 人气:0
摘要:柳鸣九文学的作用在于向别人展示作家自己所看待的世界。这部小说的一个人物曾经这样认为:“为什么不动笔创作一部时间与地点明确、而且具有一定意义的小说呢?叙述一个当今的故事,读者可以从中看到自己的忧虑,发现自己的问题,既不去揭示什么,也不去鼓动什么,仅仅作为一个见证。”这个人物这样思忖着。 [点击阅读]
吸血鬼德古拉
作者:佚名
章节:20 人气:0
摘要:东欧,一四六二年自从她的王子骑马出征后,伊丽莎白王妃每晚都被血腥恐怖的恶梦折磨。每一夜,王妃会尽可能保持清醒;然而等她再也撑不住而合眼睡去后,她很快便会发现自己徘徊在死尸遍野、处处断肢残臂的梦魇中。她又尽力不去看那些伤兵的脸——然而,又一次,她被迫看到其中一人。永远是他那张伤痕累累的囚犯的脸,然后伊丽莎白便在尖叫声中醒来。 [点击阅读]